Which, in itself, is pretty strange – who knew that a song by and about introverts could foster such a meaningful sense of human connection? People relating not just to the feeling of the song – to the way it somehow sounds both melancholic and hopeful, languid yet enchanting – but to each other. Scrolling through the YouTube comments on the song’s official video, you’ll find people recounting stories of when they first heard it, or simply what it reminds them of: first loves, dusty afternoons, starry nights. And while the irony of writing a piece about a song you’re not really supposed to write about doesn’t escape me, part of the magic of the song is what it makes people want to say not the kind of people Roback was probably referring to – critics and the media in general – but fans whose own memories are inextricably tied to this song. This is a good rule of thumb for listening to any number of songs, but ‘Fade into You’ captures that depth of feeling so intimately that it becomes impossible not to just close your eyes and let the music wash over you. We feel you should be able to shut your eyes and listen to it.” We don’t want to be part of that over-determination. “You have to leave something to people’s imagination, so they feel they can participate. “So much about music is overdetermined by television and what people write and say about it,” co-founder David Roback, who passed away earlier this year at the age of 61, told The Times back in 1993. You just sink into its ethereal world, letting those reverb-drenched vocals and hypnotic slide guitar speak directly to your soul. Not because everything’s already been said, necessarily, but because the dream pop group’s 1993 single is not really the kind of song you talk about. Today, we revisit Mazzy Star’s biggest single, a wistful anthem of unrequited love that pulls you into its ethereal world and lingers in your mind long after the fire has faded.įor a song whose haunting beauty and pensive languor captured the hearts of thousands of hopeless romantics around the world, there’s not much to say about Mazzy Star’s ‘Fade into You’. Someone not likely to have her own wedding, but only the dream of one.Īllen Ginsberg told me it was a great poem, so I'm going to go with Allen.In this series, we take a deep dive into a significant song from the past and get to the heart of what makes it so great. Does that mean she was a cleaner, someone not invited to the wedding, and only viewing the celebrations from afar? Why would she be doing that? I wanted to make it more poignant than her just cleaning up afterward, so it became more about someone who was lonely. Those opening lines-"Eleanor Rigby / Picks up the rice in the church where a wedding has been / Lives in a dream." It's a little strange to be picking up rice after a wedding. The song itself was consciously written to evoke the subject of loneliness, with the hope that we could get listeners to empathize. But I wasn't really comfortable with it, because it's my dad-my father McCartney-so I literally got out the phone book and went on from "McCartney" to "McKenzie." I took the song to John at around that point, and I remember playing it to him, and he said, "That's great, Father McCartney." He loved it. Initially, the priest was "Father McCartney," because it had the right number of syllables. I think John might have dated her for a short while, too, and I liked the name very much. When I started working on the words in earnest, "Eleanor" was always part of the equation, I think, because we had worked with Eleanor Bron on the film "Help!" and we knew her from the Establishment, Peter Cook's club, on Greek Street. In the New Yorker, Paul McCartney wrote down the story behind all the lonely people. From the Beatles 1966 album Revolver, "Eleanor Rigby" embodied a shift for the band from pop rock and rollers to a more mature group eager to experiment and harness the power of studio production and emerging technology.
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